Please use this identifier to cite or link to this item:
http://hdl.handle.net/123456789/3246Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Dcruz, A.F. | - |
| dc.date.accessioned | 2020-12-21T04:36:33Z | - |
| dc.date.available | 2020-12-21T04:36:33Z | - |
| dc.date.issued | 2020 | - |
| dc.identifier.citation | Journal of Popular Film and Television, 48(3), pp.145-154. | en_US |
| dc.identifier.other | https://doi.org/10.1080/01956051.2020.1754751 | - |
| dc.identifier.uri | https://www.tandfonline.com/doi/full/10.1080/01956051.2020.1754751 | - |
| dc.identifier.uri | http://hdl.handle.net/123456789/3246 | - |
| dc.description | Only IISERM authors are available in the record. | - |
| dc.description.abstract | Chaplin's Limelight and A King in New York uncover how political trials often deploy a guilt‐by‐association strategy. In denouncing such politically motivated charades of justice, Chaplin becomes a Dreyfusard, a term that reminds one of Emile Zola for the anti‐establishment stance he maintained during the Dreyfus Affair. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Routledge | en_US |
| dc.subject | Charlie Chaplin | en_US |
| dc.subject | Dreyfus Affair | en_US |
| dc.subject | Guilt by association | en_US |
| dc.subject | McCarthyism | en_US |
| dc.subject | Emile Zola | en_US |
| dc.title | Chaplin, the Dreyfusar | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Research Articles | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Need to add pdf.odt | 8.63 kB | OpenDocument Text | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.